placed a foam-capped mug upon the counter, her glance rested for a moment upon the only other occupant of the room, a man seated in an armchair immediately to the right of the door. A glass of whisky stood on the window ledge at his elbow, and that it was by no means the first which he had imbibed, his appearance seemed to indicate.

Having tasted the cool contents of my mug, I leaned back against the counter and looked at this person curiously.

He was apparently of about medium height, but of a somewhat fragile appearance. He was dressed like a country gentleman, and a stick and soft hat lay upon the ledge near his glass. But the thing about him which had immediately arrested my attention was his really extraordinary resemblance to Paul Harley's engraving of Edgar Allan Poe.

I wondered at first if Harley's frequent references to the eccentric American genius, to whom he accorded a sort of hero-worship, were responsible for my imagining a close resemblance where only a slight one existed. But inspection of that strange, dark face convinced me of the fact that my first impression had been a true one. Perhaps, in my curiosity, I stared rather rudely.

"You will pardon me, sir," said the stranger, and I was startled to note that he spoke with a faint American accent, "but are you a literary man?"

As I had judged to be the case, he was slightly bemused, but by no means drunk, and although his question was abrupt it was spoken civilly enough.

"Journalism is one of the several occupations in which I have failed,"
I replied, lightly.

"You are not a fiction writer?"

"I lack the imagination necessary for that craft, sir."

The other wagged his head slowly and took a drink of whisky. "Nevertheless," he said, and raised his finger solemnly, "you were thinking that I resembled Edgar