"Who told you to come, Martie?" I asked.
"Told me? I don't have to be told to visit an old friend."
Well, he asked himself to lunch, and looked over the house, and decided to ask Miss Emily if she would sell an old Japanese cabinet inlaid with mother of pearl that I would not have had as a gift. And, in the end, I told him my trouble, of the fear that seemed to center around the telephone, and the sleep-walking.
He listened carefully.
"Ever get any bad news over the telephone?" he asked.
One way and another, I said I had had plenty of it. He went over me thoroughly, and was inclined to find my experience with the flour rather amusing than otherwise. "It's rather good, that," he said. "Setting a trap to catch yourself. You'd better have Maggie sleep in your room for a while. Well, it's all pretty plain, Miss Agnes. We bury some things as deep as possible, especially if we don't want to remember that they ever happened. But the mind's a queer thing. It holds on pretty hard, and burying is not destroying. Then we get tired or nervous—maybe just holding the thing down and pretending it is not there makes us nervous—and up it pops, like the ghost of a buried body, and raises hell. You don't mind that, do you?" he added anxiously. "It's exactly what those things do raise."
"But," I demanded irritably, "who rings the telephone at night? I daresay you don't contend that I go out at night and call the house, and then come back and answer the call, do you?"
He looked at me with a maddening smile.
"Are you sure it really rings?" he asked.
And so bad was my nervous condition by that time, so undermined was my self-confidence, that I was not certain! And this in face of the fact that it invariably roused Maggi
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Miss Agnes Blakiston, the summer tenant, and our narrator
Maggie, her maid
Willie, her nephew
Miss Emily Benton, the house owner
Anne Bullard, telephone operator
Martin Sprague, nerve specialist
Synopsis: Agnes Blakiston, as is her custom, seeks out a summer house rental in the country. S