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The Mysteries of Udolpho

Ann Ward Radcliffe

16,033 ratings
The Mysteries of Udolpho | Ann Ward Radcliffe

The Mysteries of Udolpho

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In The Mysteries of Udolpho, one of the most famous and popular gothic novels, Ann Radcliffe took a new tack from her predecessors and portrayed her heroine’s inner life, creating an atmosphere thick with fear, and providing a gripping plot that continues to thrill readers today. – The Mysteries of Udolpho, set in Europe in the year 1584, is the story of orphan Emily St. Aubert, who finds herself separated from the man she loves and confined within the medieval castle of her aunt’s new husband, Montoni, after being forced to travel through France and Italy. Inside the castle, she must cope with an unwanted suitor, Montoni’s threats, and the wild imaginings and terrors that threaten to overwhelm her.
e in a whisper, 'pray let us go.' Her aunt immediately moved on, but not before Valancourt had reached them, who bowed lowly to Madame Cheron, and with an earnest and dejected look to Emily, with whom, notwithstanding all her effort, an air of more than common reserve prevailed. The presence of Madame Cheron prevented Valancourt from remaining, and he passed on with a countenance, whose melancholy reproached her for having increased it. Emily was called from the musing fit, into which she had fallen, by the Count Bauvillers, who was known to her aunt.

'I have your pardon to beg, ma'amselle,' said he, 'for a rudeness, which you will readily believe was quite unintentional. I did not know, that the Chevalier was your acquaintance, when I so freely criticised his dancing.' Emily blushed and smiled, and Madame Cheron spared her the difficulty of replying. 'If you mean the person, who has just passed us,' said she, 'I can assure you he is no acquaintance of either mine, or ma'amselle St. Aubert's: I know nothing of him.'

'O! that is the Chevalier Valancourt,' said Cavigni carelessly, and looking back. 'You know him then?' said Madame Cheron. 'I am not acquainted with him,' replied Cavigni. 'You don't know, then, the reason I have to call him impertinent;—he has had the presumption to admire my niece!'

'If every man deserves the title of impertinent, who admires ma'amselle St. Aubert,' replied Cavigni, 'I fear there are a great many impertinents, and I am willing to acknowledge myself one of the number.'

'O Signor!' said Madame Cheron, with an affected smile, 'I perceive you have learnt the art of complimenting, since you came into France. But it is cruel to compliment children, since they mistake flattery for truth.'

Cavigni turned away his face for a moment, and then said with a studied air, 'Whom then are we to compliment, madam? for it would be absurd to compliment a woman of ref

Bill 11/05/2021

This mammoth, prolix book--the first wildly popular gothic novel--is indifferently written, poorly planned, and inconsistent in purpose and tone. Radcliffe's style is irritating, filled with continual redundancies, superfluous commas and dialogue that is often stilted and improbable. The plot doesn'
Henry 10/10/2020
Emily St. Aubert has it all, loving parents a nice little charming estate she lives on in southern France, Anno Domini 1584. The young gentlewoman adores walking around her father's land looking at the nearby exotic Pyrenees Mountains, watching the calm Garonne River flow by hearing it making soft n
Alex 09/19/2018
"'You speak like a heroine,' said Montoni, contemptuously; 'we shall see if you can suffer like one.'"

And if all the sentences in this book were half as good as that one, we'd be looking at a five-star book here, but sadly the rest of it is just hella boring. You might be reading a lame book if you
Michael 04/18/2018
I'm reading this book again to get back in touch with some of the early English gothic novels. I'm struck, in these early pages, by the extreme romanticization and lush description of nature. The natural world has a sort of earthy goodness that draws Emily and her father in. By contrast, the charact

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