The waterfall existed no longer. The tree-ferns that had luxuriated in its spray had died around the dried-up pool, and the high ravine was only a big trench half filled up with the refuse of excavations and tailings. The torrent, dammed up above, sent its water rushing along the open flumes of scooped tree trunks striding on trestle-legs to the turbines working the stamps on the lower plateau—the mesa grande of the San Tome mountain. Only the memory of the waterfall, with its amazing fernery, like a hanging garden above the rocks of the gorge, was preserved in Mrs. Gould's water-colour sketch; she had made it hastily one day from a cleared patch in the bushes, sitting in the shade of a roof of straw erected for her on three rough poles under Don Pepe's direction.

Mrs. Gould had seen it all from the beginning: the clearing of the wilderness, the making of the road, the cutting of new paths up the cliff face of San Tome. For weeks together she had lived on the spot with her husband; and she was so little in Sulaco during that year that the appearance of the Gould carriage on the Alameda would cause a social excitement. From the heavy family coaches full of stately senoras and black-eyed senoritas rolling solemnly in the shaded alley white hands were waved towards her with animation in a flutter of greetings. Dona Emilia was "down from the mountain."

But not for