III THE ADVENTURE OF MRS. BURLINGAME'S DIAMOND STOMACHER

I had seen the marvellous creation very often at the opera, and in many ways resented it. Not that I was in the least degree a victim to envy, hatred, and malice towards those who are possessed of a superabundance of this world's good things—far from it. I rejoice in the great fortunes of earth because, with every dollar corralled by the superior energies of the multi- millionaires, the fewer there are for other men to seek, and until we stop seeking dollars and turn our minds to other, finer things, there will be no hope of peace and sweet content upon this little green ball we inhabit. My resentment of Mrs. Burlingame's diamond stomacher was not then based on envy of its possession, but merely upon the twofold nuisance which it created at the opera-house, as the lady who wore it sat and listened to the strains of Wagner, Bizet, or Gounod, mixed in with the small-talk of Reggie Stockson, Tommie de Coupon, and other lights of the social firmament. In the first place, it caused the people sitting about me in the high seats of the opera- house to chatter about it and discuss its probable worth every time the lady made her appearance in it, and I had fled from the standee part of the house to the top gallery just to escape the talkers, and, if possible, to get my music straight, without interruptions of any sort whatsoever on the side. In the second place, the confounded thing glittered so that, from where I sat, it was as dazzling as so many small mirrors flashing in the light of the sun. It seemed as if every electric light in the house found some kind of a refractor in the thousands of gems of which it was composed, and many of the brilliant light effects of the stage were dimmed in their lustre by the persistent intrusion of Mrs. Burlingame's glory upon my line of vision.