cal antiquaries of East Anglia have at least one trait in common with the antiquaries of the wider world—they contradict with freedom and dispute with endless pertinacity. Here there is no contradiction (and Mr. Rye's accuracy is by no means equal to his industry or to his love of antiquity), so it may be taken as reasonably certain that the "Royal" is on the site of the "Angel," and that the "Angel" first appeared by that name in 1578, when it was leased to one Peterson; but the property has been traced back to Mistress Katharine Dysse in the rolls of the Mayoralty Court of Norwich, and she lived early in the fifteenth century. Here, in October, 1677, Joseph Argent had "fourteen days allowed to him to make show of such tricks as are mentioned in his patent at the 'Angel.'" In 1683 "Robert Austine at ye Angel hath leave given him for a week from ys Daie to make show of the storie of Edward the 4th and Iane Shore, and noe longer." In several later years Peter Dolman clearly made a great success with Punchinello[Pg 48] or Puntionella—both forms are used. There are a score of similar entries, also of displays at the "Angel," of freaks and monstrosities, waxworks and the like. Hither fled Mr. Thomas Coke, of Holkham, father of the agriculture of Norfolk, during a Corn Law riot of 1815, escaping through the back of the house with the then Earl of Albemarle; in the "Angel" in 1794 the Duke of York stayed when on his way to Yarmouth to meet the exiled family of the Prince of Orange, and here the Duke of Wellington changed horses on his way to Gunton in 1820, receiving a hearty welcome from the citizens. From the "Angel" the Whigs sallied forth during the election of 1832, and enjoyed a glorious fight in quite the old style with the Tories in the market-place. An inn-name of such antiquity and so many associations should not have been changed. Apparently, however, the house