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Unbeaten Tracks in Japan

Isabella L. Bird

455 ratings
Unbeaten Tracks in Japan | Isabella L. Bird

Unbeaten Tracks in Japan

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Unbeaten Tracks in Japan is compiled of the letters she sent to her sister during her 7 months sojourn in Japan in 1878. Her travels there took her from Edo (now called Tokyo) through the interior - where she was often the first foreigner the locals had met - to Niigata, and from there to Aomori. There she crossed over to Yezo (Hokkaido), and her account on the life of the Ainu, an indigenous people of Japan, provides an interesting glimpse of days long past.
sed into the colossal avenue of cryptomeria which overshadows the way to the sacred shrines of Nikko, and tremulous sunbeams and shadows flecked the grass, I felt that Japan was beautiful, and that the mud flats of Yedo were only an ugly dream!

Two roads lead to Nikko. I avoided the one usually taken by Utsunomiya, and by doing so lost the most magnificent of the two avenues, which extends for nearly fifty miles along the great highway called the Oshiu-kaido. Along the Reiheishi-kaido, the road by which I came, it extends for thirty miles, and the two, broken frequently by villages, converge upon the village of Imaichi, eight miles from Nikko, where they unite, and only terminate at the entrance of the town. They are said to have been planted as an offering to the buried Shoguns by a man who was too poor to place a bronze lantern at their shrines. A grander monument could not have been devised, and they are probably the grandest things of their kind in the world. The avenue of the Reiheishi-kaido is a good carriage road with sloping banks eight feet high, covered with grass and ferns. At the top of these are the cryptomeria, then two grassy walks, and between these and the cultivation a screen of saplings and brushwood. A great many of the trees become two at four feet from the ground. Many of the stems are twenty-seven feet in girth; they do not diminish or branch till they have reached a height of from 50 to 60 feet, and the appearance of altitude is aided by the longitudinal splitting of the reddish coloured bark into strips about two inches wide. The trees are pyramidal, and at a little distance resemble cedars. There is a deep solemnity about this glorious avenue with its broad shade and dancing lights, and the rare glimpses of high mountains. Instinct alone would tell one that it leads to something which must be grand and beautiful like itself. It is broken occasionally by small villages with big bells suspended between double pol

Alex 10/31/2016
The author seemed extremely curious, exploring, for example, "savage people" and cremation service. Her descriptions are very detailed, if at places quite repetitive and lack of distillation. The book is a good source of imagery not only of Japan in 1878, but also of how prejudice a British such as
Ameya 06/10/2016
Like all of Bird's books, this was a really fantastic glimpse into a country at a certain time from the perspective of a 19th century person, a woman, and a Brit at the height of empire. I very much enjoyed seeing what life was life for average folks across Japan back then, I love her for traveling
Orinoco Womble (tidy bag and all) 12/18/2015
While the content was interesting, I found the narrator so annoying that it really took away from the experience from me. Isabella Bird was one of those "invalids" who enjoy poor health--they can't be expected to lead a normal productive life at home because they are "delicate"--and yet she could tr
Jan 01/06/2015
I gave this 5 stars not because it's a work of great literary merit but because the tale it tells is truly amazing. Imagine traveling as a foreigner from Yokohama all the way to the far reaches of Hokkaido ... in 1878. And this is not a hardy, experienced and intrepid traveler but a Victorian lady w
Michael 08/06/2014
The back cover blurb rightly lauds Bird as a feminist pioneer and astute observer of rural Japanese life in the late 19th century; however, the blurb doesn't mention Bird's embarrasing attitude towards the majority of those people (with the exception of the Ainu). She describes people in dehumanisin

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